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Alayne's Echo

by Susan Wendelken

supported by
Danny Cavazzi
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Danny Cavazzi I have been a fan of Susan's for many years and I absolutely love this record. As usual, Susan's vocals are stellar! Great Great stuff! Favorite track: Spectator.
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1.
Spectator 03:45
I can’t move the needle for you even if you’re truly not where you want to be You’ll have to find your own way out I can’t make you be ready I’m just a spectator and I’ve already seen too much You want it all too soon I have to stay out of your clutches Too many others have made the same mistake, of getting too close You’re too entrenched with too much to lose... this is what you chose I’m just a spectator and there’s nothing I can do I’m not your anesthesia even if she isn’t good to you And I want you but I won’t help you cheat So I’m waiting back here in the cheap seats I’m just a spectator and I’ve already seen too much You want it all too soon I have to stay out of your clutches I’m just a spectator and there’s nothing I can do I’m not your anesthesia even if she isn’t good to you
2.
Rewrite 03:51
I may stammer when I speak/ or have an imperfect physique What if I just love me anyway? I may not be the sharpest knife / Or lead the most exciting life What if I just love me anyway? The thoughts we have aren’t really real / They’re the words of someone who tried to make us feel Like we weren’t enough Or we were just too much……yeah…yeah…….. (la la la la la la…) What if I just love me anyway? Maybe my loud voice resounds/ but maybe I don’t need to tone it down What if I just love me anyway? Maybe this song ain’t so clever/ but I don’t care so yeah, whatever What if I just love me anyway? All that noise is just a story / Let’s escape from purgatory Our demons scatter in the light This chapter’s getting a rewrite…yeah…. (la la la la la la…) What if I just love me anyway? SOLO All that noise is just a story / Let’s get out of purgatory Our demons scatter in the light - This chapter’s getting a rewrite…yeah…. (la la la la la la…) What if I just love me anyway? Maybe this song ain’t so clever/ but I don’t care so yeah, whatever What if I just love me anyway?
3.
Truth Tellers are often rejected Many fear going to that place Pulling back the curtain and showing us What we're not ready to face Suddenly we're dealing with the things that you're revealing we buried deep inside Suddenly we're dealing with the things that you're revealing we just learned to abide It's ok to say it's not ok - you don't have to love it or leave it Fractures don't magically fade - you don't have to love it or leave it We're well past the point of trying to pretend we're not on the verge of disaster But we busy ourselves trying not to see the consequences coming even faster It's ok to say it's not ok - you don't have to love it or leave it Fractures don't magically fade - you don't have to love it or leave it It's ok to say it's not ok - you don't have to love it or leave it Fractures don't magically go away - you don't have to love it or leave it You don't have to love it or leave it
4.
I’m not gonna be your little secret A piece of your life in a small compartment Show me that this is real for you We’re not spending every Friday night in my apartment I can’t go back in time so you can have that girl who didn’t know her worth And I won’t wait around for you to covert into the kind of man I need Don’t you know baby; Don’t you know baby, I deserve better From the rooftops, shout that you’re taking me out And then go write me a love letter Don’t you know; I know you know; I deserve better So proclaim as you call my name; if she gets away, I’ll regret her Your excuses sound to me like noise pollution And I’ve got no space for that inside my day Whatever’s in the way, find a solution You need to show up for me like I do for you, always You’re running out of time I won’t dwell and I won’t linger Best make up your mind before I slip right through your fingers Don’t you know baby; Don’t you know baby, I deserve better From the rooftops, shout that you’re taking me out And then go write me a love letter Don’t you know; I know you know; I deserve better So proclaim as you call my name; if she gets away, I’ll regret her You’re running out of time I won’t dwell and I won’t linger Best make up your mind before I slip right through your fingers Don’t you know baby; Don’t you know baby, I deserve better From the rooftops, shout that you’re taking me out And then go write me a love letter Don’t you know; I know you know; I deserve better So proclaim as you call my name; if she gets away, I’ll regret her
5.
From the coast of gold, across the seven seas I'm traveling on, far and wide But now it seems I'm just a stranger to myself And all the things I sometimes do, it isn't me but someone else I close my eyes and I think of home Another city goes by in the night Ain't it funny how it is? You never miss it til' it's gone away And my heart is lying there, will be 'til my dying day So understand, Don't waste your time always searching for those wasted years Face up, make your stand Realize you're living in the golden years Too much time on my hands, I've got you on my mind Can't ease this pain so easily When you can't find the words to say, hard to make it through another day And it makes me wanna cry, and throw my hands up to the sky So understand, Don't waste your time always searching for those wasted years Face up, make your stand Realize you're living in the golden years So understand, Don't waste your time always searching for those wasted years Face up, make your stand Realize you're living in the golden years So understand, Don't waste your time always searching for those wasted years Face up, make your stand Realize you're living in the golden years
6.
Warm Body 04:40
I could be anyone I could be anyone I could be anyone beside you, tonight I’m a convenient girl from just around the way So you think you’ll drop your standards for a temporary stay Even your seduction hints disdain 6 months in, you still mispronounce my name All you know of me is what I gave and you find no fault in the way that you’ve behaved Yes, I know I own my share I tried to see something that just wasn’t there I guess I forgot I was stronger than this But now my path is clear You won’t even shrug when I disappear I’m all done being blind - so you’ll just have to find a new warm body to entwine You’ll have to find a new warm body to entwine (and) she could be anyone she could be anyone she could be anyone beside you, tonight
7.
Limbo 03:42
I thought that we had fire I never knew our love was so demanding When everyone around us broke apart I thought what kept us together was an understanding Then there came new influences and with them your new restlessness and one night when I reached for you you turned from me, so comfortless You keep using words like compromise Well forgive me if I find it all a little hard to swallow But when I look into the void that's in your eyes I see no feeling for me and it makes your words ring hollow Now I sit alone, in this kind of waiting room To wait for the results of these tests you put me through Scary how somehow think you have the right to judge whether or not I'm good enough for you Sign your name and let me be released Or fight for our love's last chance to survive More than anything you know I want to believe The good that I first saw in you can be revived You keep using words like compromise Well forgive me if I find it all a little hard to swallow But when I look into the void that's in your eyes I see no feeling for me and it makes your words ring hollow So leave and you won't have to lie anymore about going all those places where I'm not welcome too But just know, once you have thrown us away you can never talk me into coming back to you Even if it's complicated, you still have a choice to make If I'm not your priority, it's time to make one last clean break You keep using words like compromise Well forgive me if I find it all a little hard to swallow But when I look into the void that's in your eyes I see no feeling for me and it makes your words ring hollow
8.
Downer 03:01
Did you come here just to knock me on my feet Were you hoping you could leave me incomplete (Well) I don’t have to listen to you (No) I don’t have to listen (ooh-ooh-ooh) Cause dragging me down baby is all that you ever wanna do (ooh-ooh-ooh) Do you think you’re something no one can surmount? Do you think you’re something I can’t do without? (Well) I don’t have to listen to you (No) I don’t have to listen (ooh-ooh-ooh) Cause dragging me down baby is all that you ever wanna do (ooh-ooh-ooh) (You) think you’re so incendiary When all you are is ordinary You’re just tired baby And I’m so tired, so tired, so tired of you (ooh-ooh-ooh) Just beneath the surface waiting Used to be so debilitating But now you’re tired baby And I’m so tired, so tired, so tired of you (ooh-ooh-ooh) Did you come here just to knock me on my feet Were you hoping you could leave me incomplete (Well) I don’t have to listen to you I don’t have to listen (ooh-ooh-ooh) Cause dragging me down baby is all that you ever wanna do (ooh-ooh-ooh)… (ooh-ooh-ooh)
9.
Night Visit 03:46
Who are you, my pretty little maid (and) Who are you, my honey? Who are you, my pretty fair maid (and) Who are you, me honey? She answered him modestly “I am me mammy’s darling.” With your too-ry-ah Fol-de-diddle-dah Dai-rie fol-de-diddle dai-rie-ohh So he went to her house in the middle of the night When the moon was shining clearly He went to her house in the middle of the night When the moon was shining clearly She opened the door and she let him in And divil the one did hear them With your too-ry-ah Fol-de-diddle-dah Dai-rie fol-de-diddle dai-rie-ohh She took him by the lily-white hand She took him by the lily-white hand And she led him to the table Saying “There’s plenty of wine for a soldier boy to drink up if you’re able.” With your too-ry-ah Fol-de-diddle-dah Dai-rie fol-de-diddle dai-rie-ohh She got up and she made the bed And she made it nice and easy She got up and she made the bed And she made it nice and easy Then she took me by the hand Saying “Boy, I hope you're able” With your too-ry-ah Fol-de-diddle-dah Dai-rie fol-de-diddle dai-rie-ohh There they lay till the break of the day The divil no one did hear them There they lay till the break of the day The divil no one did hear them She arose and put on me clothes Saying “Darling, you must leave me” With your too-ry-ah Fol-de-diddle-dah Dai-rie fol-de-diddle dai-rie-ohh He said Oh, when will I return again and when will we be married He said Oh, when will I return again and when will we be married She said When broken shells make Christmas bells We may well be marriedWith your too-ry-ah Fol-de-diddle-dah Dai-rie fol-de-diddle dai-rie-ohh With your too-ry-ah Fol-de-diddle-dah Dai-rie fol-de-diddle dai-rie-ohh

about

Susan’s desire was to find unique ways to combine the musical techniques of her influences with her own stylings to create a diverse acoustic-based sound that would be barrier- breaking and all her own. “I mostly did this for me,” Susan said about her recently released debut album Alayne's Echo. “I love the audacity of believing in my potential, releasing my first solo album at age fifty-one.”

credits

released March 6, 2023

Greg Anderson: Guitar and piano on tracks 1, 3, 5, 6, 7 & 9
Allen Gogarty: Guitar on tracks 1, 3, 5, 6, 7 & 9
Dan Paccione: Bass on tracks 1, 3, 4, 5, 6, 7, 8 & 9
Denny McDermott: Drums on tracks 1, 3, 5, 6, 7 & 9
Matthew Mancuso: Fiddle on 1, 3 & 9
Steve Holloway: Percussion on 1 & 9
Bob Valderrama: Guitar on tracks 4 & 8
Michael Bram: Drums & Percusiion on tracks 4 & 8
Mark Bonder: Piano & synth on track 8
Heather Faulkner: Guitar on track 2
Eileen Rehn: Bass & backing vocals on track 2
Gina Ilasi: Drums on track 2
Sara Milonovich: Fiddle on track 5
Osmary Rivera: Mandolin on track 2
John D'Esposito: Piano on track 4
Donie Ryan: Banjo on track 6
Lloyd Maines: Dobro on track 7
Richie Cannata: Saxophone on track 4



Track 2 Produced, recorded and mixed by Cynthia Daniels
Recorded at MonkMusic Studios, East Hampton, NY
Tracks 6 & 8 Produced, recorded and mixed by John Arbuckle
Recorded at Cove City Studios, Glen Cove, NY
Tracks 1, 3, 4, 5, 7, 9 Produced, recorded and mixed by Greg Anderson
Recorded at Mark Dann Recording, New York, NY
Assisted by Mark Dann & Rich Lamb
Additional recording at: Amalgamated Balladry, Beacon, NY - engineered by Greg Anderson
Milton’s Treehouse Studio, Brooklyn, NY - engineered by Steve Holloway
The Man Cave, Austin, TX - engineered by Lloyd Maines

Mastered by Mark Dann

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Some rights reserved. Please refer to individual track pages for license info.

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Susan Wendelken New York, New York

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